

A place to keep track of what my favourite actresses are doing. Also some content on my favourite authors and books. And if I see a movie or TV show that I particularly like then I'll mention that too.

The first that actress Ruth Wilson knew about her grandfather Alexander's career as a thriller writer, MI6 agent and serial bigamist was 10 years ago. “When I was 18 my granny let me read the first part of a memoir she'd written,” says the 28-year-old star of Luther and Jane Eyre.

Ruth: When I first read it, it did resonate with me as a piece that was a bit similar to Hannibal Lecter and Clarice Starling, except it’s the other way around. That really appealed to me. You certainly don’t get many female roles like this. The relationship develops throughout the series. It starts off with her having committed a crime and Luther trying to pin her down for it. And, as the series goes on, it becomes a game of cat and mouse between the two of them. They actually realize they have an intellectual interest in each other, as well as a sexual chemistry. They are just fascinated by each other, so it’s a really interesting dynamic. She ends up helping and they become partners in crime a bit. It’s a fascinating dynamic between the two characters, and something that hadn’t really been explored that much on TV before. That’s why it was so appealing.
Here's a couple of new Ruth Wilson articles. First from the Guardian website...Ruth Wilson is about to star in a new stage adaptation of Ingmar Bergman's Through a Glass Darkly. She plays Karin – a schizophrenic on holiday with brother, father and husband. She also played psychopathic astrophysicist Alice in BBC1's Luther.
Is madness hard to act?
I think everyone is a bit mad. Actually, I am not sure that there is such a thing as madness. But I'd like the audience to question whether Karin is mad and ask whether her "madness" might also be her place of solace or freedom. I did a documentary drama once [The Doctor Who Hears Voices] about a girl who was bipolar. In preparation, I stayed with a psychologist and met lots of his clients and learned about their different voices and how they interpreted them. I realised that what is internal seems, to them, external. It was fascinating. I saw that there is a desperation and paranoia about the pressure of keeping this hidden from the world – and this exacerbates the condition. They are constantly distracted.
You are a chameleon as an actress, with a face that keeps changing – from earthy Stella in A Streetcar Named Desire to blonde Queenie in Small Island to plain Jane Eyre, the role for which you were nominated for a Bafta. No danger of being typecast then?
Appearance matters, but you do not have to look perfect. It is better if you don't. You have to be who you are. I have just dyed my hair from red to blackish brown and look completely different now – it feels great. People cannot put a label on me – which is good.
What part would you choose to play if you could be anyone?
The Girl With the Dragon Tattoo.
What do you do to keep sane when not working?
I run. I swim. I go to films. My holidays are usually organised at the last minute. I've just been to Costa Rica and learned to surf. It was brilliant. I also like to spend time with my family. I've got lots of nephews and nieces.
I know you are close to your brother, Matt. Wasn't he fighting in Afghanistan?
He went there two years ago. As a family, it was really tough. My brother saw a friend of his die there. He was in the Territorial Army but had to join the regular army – the paratroopers. The equipment was useless. They had one helicopter. It was a nightmare. I have a big issue with the government about this. We should not be fighting wars we have not got the resources to fight. My brother returned deeply disheartened. Whenever I think of my brother, it stops me being self-indulgent about my career – at least I am not going to get shot.
Hailed as Britain's brightest new star in Hollywood, Alice Eve has, though, wonSource: http://www.telegraph.co.uk/news/newstopics/celebritynews/7823375/Alice-Eve-is-censured-for-her-naked-ambition.html
only disdain from one of her British peers.
Ruth Wilson, who appeared to great acclaim in a BBC adaptation of Jane Eyre, has criticised the 28-year-old daughter of the actors Trevor Eve and Sharon Maughan for exposing herself in Sex and the City 2, in which she plays a bra-less nanny.
“I wouldn’t want to be like her,” Wilson said at the Evian-sponsored Bafta television awards in London. “She has been all quiet here and then she suddenly pops up in Sex and the City and gets her t––– out.
“In her scenes, she runs towards the girls and her t––– are flopping about everywhere, and there’s another where her T-shirt gets wet and it goes see-through, showing everything.
“I would never do any nudity in a film. Why would I need to? It’s gratuitous and unnecessary. You don’t need to get naked to be recognised."
The Olivier award-winning actress, 28, plans to pursue a film career after completing her run in Through a Glass Darkly at the Almeida theatre in the capital.
She adds of Sex and the City 2: “It is a grotesque movie made by men for women; I don’t get why girls like it. Those four characters are rancid. You won’t find me doing a movie like that. I would rather go for more intelligent parts.”

Is it possible for an actor to be too good? There was a moment when it looked that way in Luther, the current BBC One cop drama (which ends next week). Idris Elba, playing a detective with anger issues, attempted in episode one to tease a confession from Ruth Wilson’s deliciously insane physicist. Though prime suspect in the murder of her parents, you wouldn’t have guessed it from the storm of tears she prettily conjured up in the interview room. Wilson, the scene told you, is a very good actress playing a very good actress - maybe too good for such a shameless slice of high-concept hokum.And I had to include this bit aboug her hair colour:
“I’ve had more positive comments about that show that I’ve had about anything I’ve done,” she says - this a slightly bruised riposte to its negative reception. ”I love the fact that it’s bold and completely unrealistic. I just loved the tongue-in-cheek element about the dialogue and thought you could have a lot of fun playing with it. It was completely different to everything I’d read before.”
The features in question have been framed by striking bottle-red hair ever since Wilson went out to Namibia to film The Prisoner, in which she played a doctor. “I thought, she’s a bit of an odd character, a little bit on the edge, let’sYou can read the whole article at www.telegraph.co.uk
make her red. I loved it and I’ve kept it ever since.”

Are you saying I might be a nutjob?” I had, in fact, been suggesting that Ruth Wilson is becoming something of a specialist at playing nutjobs. The term was a little brusque, perhaps, but, given her high-profile role as the flint-eyed psychotic Alice Morgan in BBC1’s Luther, as well as her forthcoming turn at the Almeida as an asylum-bound woman, it didn’t seem out of place. Even her Olivier-winning performance as Stella Kowalski in A Streetcar Named Desire at the Donmar last year was a character surrounded by madness, if stoically unaffected herself. Some would argue there is even an element of madness in Jane Eyre, Wilson’s breakthrough television role four years ago.

I love John Luther, naturally. But I also love unreservedly the character of Alice Morgan. In fact, on that first night out with the cast I seem to recall telling Ruth Wilson (who plays her) that in many ways I considered Alice to be the perfect woman. She looked at me, it has to be said, with a degree of horror.
Alice was a formidable role - chilly and flirtatious, murderous and vulnerable, high-minded and caustic, sometimes in the same sentence. But Ruth makes her absolutely real, and utterly riveting. There's a moment in episode four where she truly frightens me.
I was on set when Idris and Ruth filmed their first scene together. It was a spine-tingling event - but I don't think it's good for me to hang round on set, because that's just not where a writer belongs. So I made myself scarce and let them get on with their jobs.





"What intrigued me about the script was the writing, which was fantastic, and the characters within it – you don't get many female roles which are evil in that sense. I was really intrigued by it, and thought it was a wonderful piece that you could have a lot of fun with."
"I try all the time to do something that's going to take me somewhere else as an actress. The parts I played, both Jane Eyre and Queenie in Small Island, there’s always an emotional drive throughout the story with those characters.
"It's been quite weird for me to play, because I'm so used to being emotionally driven by being in love with someone, or loss of something, or frightened by someone – suddenly she is this all powerful woman who doesn’t have those feelings."


